As
she sang, she chuckled to herself remembering her last meal:
the succulent, tasty liver of a young boy. The old woman's diet
consisted totally of children's livers, and she was very accomplished
at trapping them. Here, where the swirling fog and clouds rendered
her near invisible, she would sometimes dance, branishing her
stone forefinger. The finger was long as a dagger, slender and
sharp as an obsedian knife..Alone in the fog, she slashed the
air and laughed. Then, she would stare at her palm, which pulsed
with a slow and steady rhythm. Her heart was in her hand! No
one could harm her, even if they forced a spear into her stony
breast. She laughed and closing her fingers around her hidden
heart, she sang:
uwe
la na tsiku. Su sa sai
As
she danced, the old woman's feet crushed rocks and sank deep
into the earth. Her body has the density of stone, and the ground
shutters with her awesome weight. The mountain trembles, and
bolders shift beneath her feet. There is a sound like thunder,
mingled with the old hag's laughter that echoes down the mountain
causing birds to take flight and Cherokee hunters to look anxiously
at the mountain. "Utlunta!" they say."Spearfinger!" and then
they call the children home.
"Listen,
little ones. Stay in the lodge. Never go into the deep forest
alone. Utlunta is walking the trails, looking for little children
like you. What does she look like? Like grandmother and your
favorite aunt, for she is a shape-changer.
Deception
is her weapon. True, the stone finger is deadly, but she must
get close enough to use it. So, when she descends the mountain,
she moves with the slow, shuffling gait of a village grandmother.
As she shambles downward, trying to tread lightly, she watches
for the tell-tale wisp of smoke from the valley. Like fog and
clouds, smoke makes her a dim form creeping towards her prey.
Brush fires in the forest are especially helpful - the kind
that the Cherokees start in the fall of the year, burning an
entire mountainside so they can find fallen chestnuts, lying
roasted on the blackened, smoking ground.
The
old witch moves through the smoke with her hand under her blanket,
the deadly knife-finger concealed. As she watches the children
gather hot chestnuts, her face assumes the guise of a village
crone she has passed in the smoke. The discolored fangs withdraw;
the fierce animal eyes dim.
"Ah,
children, help a poor old granny. I need to sit and rest." The
ponderous body feigns weakness; she draws the blanket closer,
concealing the stone skin, the killing finger. She totters forward.
When
the children look, they see only old Nadhi who is a familiar
sight in the village. The thing that looks like Nadhi sits wearily
and a little girl brings her a hot chestnut.
"Come,
child, sit in Granny's lap and she will comb your hair." The
child climbs into the old woman's lap, and the witch begins
to croon and hum as she combs the little girl's hair. The child's
eyes droop and she dozes. The other children wander away, filling
a basket with smoking chestnuts.
So
quick. Spearfinger can stop a heart without inflicting pain.
With a deft twist, she can remove a liver and leave the flesh
unblemished. Sometimes, she acts with such speed, the victim
does not know that their life is draining away like water in
a cracked jug. They return to their homes wondering why the
world is growing dim. In a few days, they fade and die.
There
are numerous stories of Spearfinger's skill and trickery. Sometimes,
in the smoke of the fire, one of the chestnut gatherers wanders
away from the group, perhaps to drink from a spring. Spearfinger
follows, strikes, stopping their heart like a bird snatched
from flight and crushed. . Then, concealing the body, the old
witch assumes the appearance of her victim. In this guise, she
returns to the family.
"Where
have you been, brother? We have been calling you!"
Spearfinger
does not answer. She accompanies the family home, lingering
in the background. Her deception is not flawless, so it is best
not to speak or attract curiosity. Later, in the dark lodge,
or in the dim light of the village fire, she can kill at leisure,
taking with her back up the mountainside, a bounty of livers!
The fools. So easy to kill; so trusting. She sings as she climbs
in the darkness.
uwi
la no tsi ku. Su sa sai!
Sometimes
when Spearfinger is traveling along the ridge of a mountain,
she meets another creature whose body is sheathed in slabs of
stone. She senses kinship, knows that they are in some way related.
This other being is always singing, a deep rumble like distant
thunder, and long ago, the old witch had decided that he is
male. They always look at each other guardedly as they pass,
and when the Stone Man moves on, Spearfinger watches to see
if the stone man will use his staff. Spearfinger knows that
they both search for the same food, and sometimes she teasingly
sings her own song aloud. Stone Man turns and looks at her.
Then, he raises his staff, and pointing towards a distant peak,
he flings the staff into the air. Instantly, a stone bridge
appears, running from Stone Man's feet to the peak. He strolls
across the bridge singing, and as he steps to the ground on
the other side, the bridge vanishes, and he holds his staff
once more.
Two
monsters, then, intent on the same mission. The witch decides
to hunt elsewhere. There are numerous villages, and the children
are always easy to catch.
Spearfinger
can also build stone bridges, but for her the task is more difficult.
She hefts huge boulders, hurling them into the air, and when
they strike other stones, they become fixed. In this manner,
the old witch can build a bridge from one mountain crest to
another. So, she travels form Nantahala to Chilhowee and from
Chilhowee to the thunder mountain called Whiteside - her favorite
abode. There, she often stands on a high rock where eagles wheel
and scream in the rivers of air that race along the mountain's
crest. It is a good place to watch for smoke. Hunters sometimes
see her there, her hair streaming in the wind. When she sees
a distant smoke, she screams with glee, and when she stamps
her foot and the mountain trembles.
It
is said that Spearfinger once built a great sky-bridge. It began
at the "Tree Rock" on Hiwassee and ended at the thunder mountain.
It took her months to complete, and as she hurled stones into
the sky, the bridge rose until its great arc was lost in the
clouds. Spearfinger sang as she worked, gloated as she thought
of how easily she could escape over the sky bridge. But, like
the white man's Bible story of Babel, the old witch's bridge
angered the Higher Beings. The bridge came too close to the
Upper World, and the creatures who lived there were outraged
by the witch's arrogance.
Divine
lightning struck the sky-bridge, and its broken pieces crashed
to the earth. Portions of the bridge can still be send in the
vales of Nantahala and the rocky slopes of Hiawassee. Standing
on the thunder mountain, Spearfinger scowled at the sky. So
much work for nothing, she thought. Then, lightning fell and
struck the precipice where she stood; jagged fire danced and
pulsed around her.Sullenly, she withdrew amid a hail of shattered,
smoking stone. Best not to anger them further, she thought.
Afterwards, she restricted her self to modest bridges between
adjoining peaks. She became cautious and decided to avoid the
highest, wind-swept precipices of Whiteside.
But,
she continued to kill, and she became more daring. With greater
frequency, she walked into villages, stood quietly among the
elderly inhabitants in the guise of a familiar crone. At night,
she sat hunched by the village fire until she saw her opportunity:
a child sleeping, a small boy playing by himself. Escaping again
and again, leaving always the keening wail of grieving parents,
she climbs through the dark thickets, her mouth stained with
blood, as she croons:
Uwe
la na tsiku. Su Sa Sai
Spearfinger
was also a shape-changer. She could fly with the ravens or trot
with the mountain wolves. But, of all the countless forms she
could take, she best loved to be an old woman, moving slowly,
haltingly along a mountain trail. There was one problem. When
she entered the world of her victims, she could not alter her
form again until she was out of their sight. It did not seem
to be a significant limitation.
But
in the towns of Tomotley, Tenase, Chota and Setico, in the valleys
of Chilhowee and Hiwassee, the Cherokees had decided to stop
Spear- finger. A Grand Council was called and the "adawehis,"
the medicine men, came. "We know this," they said. "She comes
in the guise of an old woman, and she is drawn to smoke. We
have seen her dancing on the ledges of Sanigilagi, and we know
that her forefinger is a magic knife for removing livers, but
we do not know how to kill her! Her flesh is like stone."
The
medicine men recommended that a trap be set. "Let us build a
great fire with green wood," they said. "Let us dig a great
pit and hide it with brush. When she comes, we will drive her
into the pit."
"Then,
what?" said the villagers.
The
medicine shrugged. "What choice have we? Perhaps we will get
lucky!" So, they dug a deep pit and lined it with sharp stakes.
They piled green saplings on the fire, and a thick, acrid smoke
rose in the air. The warriors armed themselves and waited.
On
Chilhowee mountain, Spearfinger saw the smoke and screamed with
glee. She raced down the mountain, her feet causing boulders
to crack. She left a trail of broken stone and shattered trees
until she came to the river. Then, her gait became slow and
faltering. Beneath the blanket, the deadly finger twitched in
anticipation. As she walked along the river towards the village,
Spearfinger gloated, thinking of fresh, young livers.
The
elders saw the old woman creeping down the trail. "She is coming,"
they said to the young men who lay in ambush before the hidden
pit. "Be ready." Then, the old woman hobbled nearer. The young
men laughed. "Is this our terrible enemy?" they said. "Don't
be fooled," said the adawihi. "That is Spearfinger." The young
men became embarrassed. Surely we are not expected to attack
this poor old grandmother! they protested. Some even thought
that they recognized her. "I think she is one of the Bird Clan,"
said one young man. "What will her family say if we kill her?"
Creeping
along the trail, the old witch chuckled. So easy to fool, these
stupid villagers. Seeing the elders watching her, she called
out in a voice of pitiful entreaty. "Help a poor old granny!
I have walked too far and need to rest. Surely, there is one
among you who will give me a place to sleep and a little corn
mush."The old head sunk on the frail bosom, then tilted sideways
as the slyly watched the elders. It was then that the adawihi
threw his spear.
The
spear shattered on the old hag's stony breast, and the astonished
hunters saw the shriveled body suddenly stiffen. The old eyes
glittered and Spearfinger laughed. "So you've seen through old
granny's disguise." There was no fear in the old hag. She withdrew
her hand from beneath the blanket and branished the stone finger.
Then, she rushed head-long down the trail straight toward the
frightened old men who turned and fled. Cackling, the old woman
charged straight on...straight into the pit.
The
stakes did her no harm. Certainly, a human body would have been
horribly mangled, but the deadly sourwood poles shattered beneath
the old woman's weight. As she stood among the broken poles,
a cloud of arrows struck her, broke on her rocky flesh and fell
at her feet. Spearfinger swatted at the arrows as though they
were irksome gnats. Seeing that pretense was futile, she became
the malevolent thing that she was. Repeatedly, she raced to
the pit's brink, attempting to slash the warriors who stared
down at her. Finally she stood, exhultant, laughing at the futile
arrows. "I have wasted much time in pretense," she said. I can
drive you from your lodges, leave you trembling like the frightened
rabbits in the forest. I can kill you at my leisure"
"Here,
fools!" she shouted. "Send your spears, arrows and your deadly
knives!" She offered her breast to the anxious warriors. Her
mocking laughter rising from the pit as the shattered weapons
continued to rain around her.
"When
the arrows are gone and the spearpoints are broken, she is going
to climb out of there," said one warrior. "Then, what do we
do?"
"Livers!"
said Spearfinger, surveying her captors. "So many livers!" She
sang, her voice rising from the pit in a taunting whine:
Uwe
la na tsiku. Su sa sai.
It
was then that the birds came. The old stories say that there
were only two: the titmouse and the chickadee. Time and again,
the two birds flitted through the smoke, singing. They were
not ordinary birds, but celestial beings. In the time when Spearfinger
existed, all creatures spoke, and the titmouse and the chickadee
had come to aid the Cherokees, to tell them how to kill this
monster. The titmouse sang, "un, un, un," which to the villagers
sounded like "heart, heart, heart." Assuming that the titmouse
wanted them to shoot at Spearfinger's heart, their best marksmen
repeatedly aimed at the old hag's breast. Angered by their lack
of success, the marksmen captured the titouse and cut its tongue
out and named it "the liar." When released, the injured bird
flew straight up, vanishing in the sky. It had returned to the
Upper World and would never return. The chickadee was more specific.
Flying directly to Spearfinger, the bird came to rest on the
witch's hand. The marksmen understood immediately, and within
seconds Spearfinger's hand was repeatedly impaled by arrows.
A pulsing stream of blood erupted from the shattered flesh,
and as the Cherokees watched, Utlunta sank to the earth. Lying
among the broken spears and shattered arrow points, she laughed
at her enemies. The deadly forefinger twitched and was still.
On
the thunder mountain, Stone Man saw the pall of smoke that hung
over Chilhowee, and heard the shout of triumph that rose from
Spear Finger's pit. Later, when he saw the hand impaled on a
post outside the village, he knew what had happened. He under-
stood that he had been given a warning. Stone Man shrugged.
They could not stop him so easily. True, he had a flaw, but
then, no man knew it. Stone Man sang as he walked; he sang of
hunting and war and livers.
The
Cherokees honor the chickadee. Although it, too, returned to
the Upper World when man's cruelty became unbearable, it's inferior,
earthly descendant is honored by the name, tsi kilili, the "truth
teller." Alas, the poor titmouse! Certainly, it does not deserve
to be branded "the liar," for it did not lie. It simply was
not specific enough.